WWJD If Someone Googled the Secret to a Trick I Had Performed?

What Would Jerx Do? Is a new feature here at the Jerx that will look at some examples of how I would handle specific situations that come to me via reader mail.

I certainly don’t have all the answers on how to deal with every situation, but I do usually have a pretty clear manner in which I would approach the situation that may work for others as well.

Our first question in this series comes from Z.A.

How do you normally respond when someone says they have googled a trick?

Context: Did Nineteen [A trick from the JAMM #3] probably a month ago, ran into someone who watched it and they privately said oh I enjoyed the trick today, but I looked up how you did the one from last time.

I wasn’t sure the best way to respond, clearly they had come across some description of the TOXIC force.

I mumbled something about it being on someone else’s phone and that I hadn’t touched it before hand ..but clearly wasn’t a satisfactory answer, more he seemed kinda bummed?

I’m wondering if it would have been better just to be like, “oh nice man yup thats it” or something. Just cop to it since he clearly wasn’t trying to ruin others enjoyment as well?

I fortunately don’t get this sort of thing too often. But when I do, this is the tactic I’ll take…

I don’t want it to become a debate about whether they figured out the trick or not. If you do that, it reinforces that that’s the purpose of the interaction. “I’m going to trick you. And if I do, I win. And if you figure it out, you win.” I want to get away from that feel altogether.

For explanation purposes, let’s say I vanished a coin with a French drop. Then a week later someone comes up to me and says, “I googled it. I know how you vanished that coin.” I wouldn’t say, “No you don’t” Nor would I say, “Alright, you got me. I’m busted.”

I would say something like. “You do? Wait… you found it on google? That would be surprising. I don’t think the guy who taught me would put it online anywhere. But wait… let me see what you got. I’m curious.”

I would then make them teach me a French drop or whatever method they learned online. I would stumble my way through it. My attitude would be like, “This is cool. Thanks for showing me this.”

I would say things like:

“This is fun. I haven’t done this sleight-of-hand type stuff since I was a kid. The type of vanishes I’ve been working on aren’t nearly this much fun to practice.” [Implication: I’m doing something other than sleight-of-hand.]

“Did it say what to do if they ask to see your other hand? This way to vanish a coin is cool because it doesn’t hurt at all. But the nice thing about the way I was doing it is that it leaves both your hands empty.” [Now, that’s a lie, of course. If I did a standard French drop previously, then my other hand was dirty at the end. But there’s no way for him to go back now and determine that. Also… what was I implying when I said this way, “Didn’t hurt at all”? What was I doing that hurt?]

“You know the best part about doing it this way? You could do this all night. The way I was doing it is really a once a week thing. Also, you don’t lose any money this way.” [Implication: The way I was doing it… the money really disappears or something? And you can only do it once a week? Huh?]

So that’s my approach. If someone comes to me with the “solution” for how I did something, I have them teach me that method. I want them to get the sense that I’m enjoying what they’re teaching me. And then as I’m “learning” it, I make comments comparing and contrasting what they’re teaching me to the method I actually used.

You see what I’m doing here, yes? They went searching for answers. And I want to impress upon them that doing that is only going to lead to more questions for them. I’m going to deny them the satisfaction of figuring it out. Not for the sake of my ego, but because I don’t want that to be the nature of our interactions going forward. In social magic, you usually have to think long-term. “I show you something and then you google it to try and figure it out,” is not the basis for satisfying magic performances.

Now, of course, this tactic won’t work very well with a super-specific trick. If someone says, “I googled it and I learned that top that floats and vanishes wasn’t your grandpa’s old top. It’s a magic trick you can buy.” Then I’m busted and I just gotta shrug and say, “Yeah, you got me.” But that’s why I generally avoid tricks like that.

In regards to the specific trick mentioned, Nineteen—when presented as I write it up in that issue of the magazine—really can’t be busted. In that trick you make a prediction of the outcome of a series of mathematical operations. But your prediction is wildly incorrect. In the end, however, there is an outrageously fortunate “coincidence” that makes your prediction correct in a way. But the way I present it, I never take credit for the prediction being right.

So if someone came up to me and said, “I know how you did that trick last time.” The interaction would go something like this.

I’d say, “Huh? How I did it? But I didn’t do it. I fucked that trick up big time. I was way off.”

Them: “No, but I know how you got it so the number would match in the end.”

Me: “I got the number to match? I’m lost. That was a lucky coincidence. Do you think if I knew what number you would have gotten in the end, I wouldn’t have just wrote that down in the first place? But I’m curious… show me what you’re talking about.”

And then I’d let them try to teach me the TOXIC force.


If you have a specific situation you’d like my thoughts on for a future WWJD post, feel free to send it along via email.

Privacy Protection

Okay, once again I’m going to take a look at a trick with a bad presentation and attempt to improve it by giving it a context that is more interesting.

I haven’t done one of these posts in a while, so here again are the basic definitions I’m using.

Presentation: Is a motif or subject matter that is laid over a trick.

Context: Is a “real life” situation into which a trick is placed.

If, for example, you do an ace assembly and you say the Ace of Spades is the “leader” ace. And he calls all the other aces to join his pile. That’s your (shitty) presentation for an ace assembly.

If, however, you perform an ace assembly and you talk about a new cheating technique you’re working on that allows you to steal cards out of other people’s poker hand and swap them invisibly for cards in your own, then that would be an ace assembly done within the context of the demonstration of a gambling technique.

Contexts are integral to the nature of the interaction. Presentations are usually just slapped onto a trick so the performer has something to say.

Let’s take a look at a trick that was described recently during a free event hosted by Murphy’s Magic to pimp their decks of Cherries playing cards.

The trick we’re going to look at is at 10:30 in this video. Here Jeremy Griffith teaches a trick where two cards lose their faces.

Here is the presentation he uses for this trick. (In the longer version of the trick, the two cards start off on the deck and then lose their faces once they are removed from the deck).

“If you ever seperate a small amount of cards from the rest of the deck, it can make them very nervous. And it makes them want to hide their faces from you. And they are very good at hiding their faces.”

So this is a trick with a presentation that is about “cards getting nervous.”

This is as bad as presentations get.

You’re anthropomorphizing the cards to say something totally boring. It would be one thing if you were doing that type of hokey “these cards are like people” presentation and you had something interesting to say. But to just be like, “Cards get nervous,” that’s no good. Many people already find watching magic to be an infantilizing thing to do. These types of presentations make it doubly so.

Now let’s imagine the same trick, but with a Context instead.

A deck of cards is sitting on the table.

“Have you seen these types of cards yet?”

You take out the deck and spread it for your friend face up and face down. It looks like a normal deck.

You have them touch a couple face up cards. Or just remove any random pair.

“These things are pretty cool. When all the cards are together, you can see them just fine. But if we take a couple of cards away from the deck…. you’ll see that after a few moments the privacy protection kicks in and you can’t see what cards they are.”

I can still see the faces—whoever is holding the cards can still see the faces—but you just see…what exactly? Blank faces? Or the back design on the front too, I guess.”

You’re implying you’re not seeing the same thing they’re seeing in this moment.

“So if these were my hole cards in poker, I wouldn’t have to be overly cautious of you seeing them, because they’re attuned in such a way that after a few seconds, only the holder of the cards can see them once they’re away from the deck. And, of course, it would work the same for a full hand of poker, or gin rummy, or whatever. No one but you can see the cards in your hand.

“Not until they’re back with the other cards does the privacy protection drop away.”

Now, the goal—as I’ve said a million times—is not that you’re hoping they’ll believe the premise. The hope is just that your premise adds to the effect. “This inanimate object is nervous.” Doesn’t add anything to the faces vanishing. In fact, I’d say it makes it worse.

But demonstrating a new technology that allows cards to only be seen by the person who is holding them is at least a somewhat interesting concept. If you did have such a deck, you likely would show it to people.

Okay, when you’re done with the trick, set the deck on the table face-up. Your spectator will be almost certain you’re bullshitting them, but they may still take a look at some of the cards. If they pick up a few cards, you can now pretend like you can’t see what the faces of the cards are that they hold.

“Yeah, I can’t see those cards at all. It’s pretty amazing technology. I guess each card vibrates at a certain frequency when away from the deck and it tunes into the vibration on the ocular nerve of the person who is holding it. Something like that. Science is amazing.”

If they ask you to demonstrate it again, take a few cards off the deck and act like they can’t see them. When they say they can see the faces, just be like, “What the heck? Damn, these things are flakey. That’s why the World Poker Tour hasn’t adopted them yet.” Reassemble the deck and smack the edge on the table, as if you’re trying to jar the deck into working again. Half-pass the bottom of the deck and go into a very brief all-backs display. As if now none of the faces are showing even when the deck is back together. Smack the cards again on the table again. And now the deck is normal again, but the privacy protection seems broken for good. Toss the deck in the trash. “There’s $240 down the drain.”

If at any point they pick up the deck and look through it and happen to find the double-backer that’s used, that’s fine. That doesn’t expose any part of the trick. You just say, “What are you talking about? That’s the joker. You don’t see the face of the joker here? And his hat here?” Pointing as if you’re seeing these things on the “face” of the card. “Hmm… I don’t know why you’re not seeing it, since you’re holding it. As I said, these things are pretty flakey.”

The nice thing about a premise that suggests: “We’ re perceiving these cards differently,” is that there’s really nothing the other person can do to prove that’s not the case.

Dustings #68

Is your name Adrian S? Are you waiting on an email from me? I’ve tried to send it a dozen times over a few days. I continually get a message that “your mailbox is full.” Too full for even a two sentence email? That’s possible? I guess I don’t know how email works. I have no other way to get in contact with you, so I’m trying here. Clean out your email, I guess? Or send me a different contact email.

Everyone, I know google is maybe evil or whatever, but 99% of the email issues I have are from people without gmail accounts (or one of the other standard email providers). It’s all the wonky providers that cause a pain in my ass. Whenever I get an error message that’s like, “Whoops, couldn’t send this. That person is allowed to have eight emails in their account. This would be the ninth. Sorrryyy 🤷‍♂️” It’s always someone with a weird email suffix like datacomm.net, or something else I’ve never heard of. Or they’re going through their community college email address. Or Fart.biz. Or something like that.

I’m not saying everyone has to get gmail or yahoo or whatever for my sake. I know it’s not possible in some places or for some people. I’m just bitching because waiting to see what emails bounce when I send out the newsletter, then tracking people down, and figuring out how to make sure they get my emails is one of the few non-fun parts about this operation.


I didn’t reach out to everyone individually so I wanted to send a mass “thank you” to everyone who wrote in to offer their help with the indexing project. I’m still mulling over if I’m going to do it, how I’m going to do it, if it’s going to be something that I make publicly available, etc. See, this isn’t something I”m doing for posterity’s sake. It’s not like, “Oh, my thoughts must be archived for research purposes for generations to come!” I need the index for my own benefit. There’s so many posts that have been in my head for months, or even years. I’ve thought so much about them that it’s easy for me to forget if I actually wrote them or not. So having some kind of index will help me because just searching for key words isn’t always the most useful way to do it. There are also concepts that I’m not 100% sure if I’ve talked about or named previously (for example, the idea in this past newsletter of performing for adults through performing for their children), and having something more searchable or categorized would be helpful.

Of course the issue is that I’m now seven years in and there are almost 2000 distinct pieces of content between the blog, newsletters, books, JAMM, etc. So it’s a lot of catching up to do. And even if you imagine it just takes three minutes to skim a post and make indexing notes, that’s still like 100+ hours of time for this project. So it will probably be something I do on my own because I don’t feel great paying someone essentially minimum wage to do it for me.

I’ll let you know what I decide. For a while now I’ve considered at least adding categories and/or tags to the posts. But then there’s a part of me that likes that it’s all just a sprawling mass of ideas without organization. The only way to really process it is to start at the beginning and follow along. Well… we’ll see what I decide.


A couple people have mentioned the new video game Card Shark to me as something I might be interested in checking out. Apparently it teaches some card cheating techniques as part of the gameplay. (“Teaches” might be a stretch.) You can see an example here at 8 minutes and 20 seconds into this video.

It’s kind of interesting to see this element in a video game. I’m not much of a gamer, so I don’t quite get it. Like, I understand why you’d want to play a game where you’re shooting up a rival gang, playing football, or piloting a spaceship through a black hole. I don’t quite understand the appeal of doing a jog shuffle virtually. It’s not even that exciting to do in real life. Although I’m sure in the context of the game it might be a good time. I don’t know. Just a heads up for anyone who might be into such a thing.


Received this email from Kane F.

I tried out a Jerxxian idea at a wedding this weekend. My idea is based on The Faux Secret Imps and The Wonder Room. I think it’s more Faux Overt Imps…

At my performance table I had a little open box with these in:

I didn’t draw attention to them but without fail everyone who came to my table asked what they were.
I played along the lines of “I can’t really explain it but these crystals seem to make things happen, they focus the mind or something. It’s probably just a placebo but…..maybe it’s more than that. Pick one, lets try something”

I then rolled in to the effects I’d prepared for that thing. Mainly “spectator as” effects. Sort of Psychic by John Bannon for Intuition, Springboard by Micheal Murray for Telepathy, etc.

I had great fun letting the participant pick something they were interested in and it seemed to go down really well with everyone. I’m thinking of adding more imps for future, rings, necklaces, other weird stuff/objects etc. Though you might like the idea.

Yeah, I love stuff like this as a way to get into effects and let the audience direct how the interaction goes. Having this set up in a casual environment—on a small shelf somewhere in your house—would make for a nice Wonder Room/Hook/Imp combo.


The Daily Jerx era begins next week. More frequent, more focused posts, every weekday for the first three weeks of every month.

I Live

Hey, your boy’s back. I finally got that Covid but I’ve come out the other side. There are some lingering aches and issues, but I think the old brain is doing alright and no worse for the wear. I did come to the realization while I was away that the Bill in Lemon is actually a really good trick. It’s a bill. But it ends up in a lemon! I mean… come on! Now I understand why this is in repertoire of so many professional magicians. It’s not sheer fucking laziness. It’s because it’s such a meaningful piece of magic that makes people think and feel.


I’ve got a new schedule planned for the site. Starting next week, posting is going to be Monday thru Friday, the first three weeks or so of every month.

It’s going to be essentially the same amount of content, I’m just going to be divvying it up differently. The same pizza, just cut up into more slices. So the content for the Monday mailbag posts, and the Friday Dustings posts are going to creep into Tuesdays and Thursdays.

What I want is to have each post be a little more focused on one topic. Unless it’s something truly trivial and stupid. In which case I’m happy to toss a bunch of those together into one post. So mail posts will focus on one question (or multiple questions on the same topic). And I’ll only group them together in a mailbag when I have a bunch of super quick ones to answer.

So you can stop by every weekday for a quick hit of something here, if that brings you joy. But the purpose of this isn’t to get you to come by the site more often. It’s just, as I said, to have more focused posts.

If you choose to stop by once a week, you won’t miss out on anything. I’ll try to always give a week’s notice on anything time-sensitive that might come up


[UPDATE: I’ve already received a number of offers to help with this. At this point I don’t need anyone else to submit. But thanks to everyone who wrote in.]

I’m thinking about bringing on someone to create an index for this site and my other work as well.

This would be a long-term project, obviously, given the amount of content here.

I would cover the cost of your support payment indefinitely, as well as pay you a fee on top of that.

If you’re interested, send me an email with Index in the subject. If there’s something that makes you particularly well-suited for this project, let me know.

There’s a decent chance I’ll just end up doing it myself. But it might be quicker if I hire someone else.

This is one of the reasons I want to focus each post on one subject going forward. It will make indexing easier in the future.


Love Letters #1 will be in supporters email boxes today at noon, my time (New York).

If you didn’t get it and you think you were supposed to:

  1. Remember that—unless you told me otherwise—it’s going to the email address that’s associated with your paypal account.

  2. Check your spam and all that.

  3. It’s possible I don’t have you on the distribution list. Send me an email and we can get it sorted.


Speaking of Love Letters, if you wake up to music for your morning alarm, I highly recommend the song below. It’s got some gentle, non-jarring horns for the first 1:20 to softly rouse you out of your sleep. Then it kicks in with some bouncy energy to get your day started. I, fortunately, don’t usually need to wake up with an alarm, but this is what I use when I do.


Thanks to everyone who wrote and sent along their best wishes while I was out.